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Professional Recognition and Appointments 2008 BrainChat U. S. patent 2007-08 Artist-in-Residence , Location One, New York, NY 2005-06 Visiting Lecturer, Goldsmiths College, University of London
UK 2002 Rockefeller Foundation
Fellowship Nominee in Media Arts 2001 New York State Council for the
Arts, Artist Fellowship 1999 Webby Award Nominee, ParkBench
On-Line Collective 1998 Turbulence.org Commission, with
S. Allin and J. Gilbert 1998 Artist-in-Residence, Banff
Centre for the Arts, Canada 1994-98 Artist-in Residence, Center
for Advanced Technology, Courant School of Computer Science, New York
University 1991-93 Artist-in-Residence,
Interactive Telecommunications Program, Tisch School of the Arts NYU Solo Shows and Collaborations 2008 Internal Message Search,
solo show, Gallery Area 53, Vienna,
Austria 2008 Not About: Is, solo
show, Location One Gallery, NY 2006 Reap, Video Collaboration, Anne
Bean Matt's Gallery, London, UK, Video
Documentary of Zambian Street Theater Group with
Anne Bean 2001 Liwase,Video Documentary
of Zambian Street Theater Group with Anne Bean 1998 Interactive Installations,
1974 - 1998, DAAD Studios, Berlin with Emily Hartzell 1998 Ebb and Flow, Web performance,
Morton Studio, turbulence.org
(J.Gilbert/S.Allin) Group Shows and Collaborations 2008 Waves-The Art of the Electromagnetic Society Hartware Medien Kunstverein, Dortmund, Germany Ca Video Show, Getty Museum, Los Angeles, California 2007 Evidence of Movement, Getty Research Institute, LA, Ca. Cyber Feminism Past Forward, Austrian Association of Women Artists, Vienna The Future of the History, Space Gallery, New York Slapstick, curated by C. Eammons, Lora Reynolds Gallery, Austin, Texas 2006 KISSS. Whitechapel Gallery, London, UK/Sidney, Australia 2005 Art/ Sound, curated by J. Slater, Front Room Gallery , Williamsburg, NY 2004 Synaesthesia, Thinking of You,
Institute of Contemporary Art, London
UK 2002 Art/Women/California
1950-2000, San Jose Museum of Art, San Jose, Ca. 2000 Sharing a Shadow, Three
Colt Gallery, London 1999 Streaming: A Laboratory,
with E. Hartzell/ Sonya Allin, W. Phillips Gallery, Banff Sunshine & Noir: Art in Los Angeles 1960-1997, UCLA at The Armand Hammer Castello di Rivoli, Italy, Kunstmuseum Wolfsburg, Louisiana MOMA, Denmark 1997 Dance in a Moving Mirror
streaming with Hartzell/Gilbert, RAT, Aix-en-Provence Adrift (web performance), Ars
Electronica with Gilbert,
Hartzell, Thorington, Wolsak Pink Wink, New Image Art Gallery, Los
Angeles Pasarse de la Raya, Expoarte,
Guadalajara, VI Feria Internacional de arte
Contemporaneo PORT, four-screen web projection
performance, MIT List Visual Arts Center Blast5, Time Curators and web/video
installation (ParkBench), Sandra Gering Gallery 1996 Art on the Web
(ParkBench), Whitney Museum of American
Art Language and Disorder: videotapes,
New Langton Arts, San Francisco 1995 Alice Sat Here,
telerobotic installation w/Hartzell in CODE, Ricco/Maresca Gallery, NYC 1993 LA Sampler 1970-1993, Hey, Baby Chicky! P.McCarthy curator,
David Zwirner Gallery, NYC Scratching the Belly of the Beast,
Brainwave Drawings, Los Angeles Film Forum 1992 Installation:
painting, sculpture, and 2 channels of video, Granary Books Gallery, NYC Brainwave Drawing Installation, Bronx
River Arts Center, Bronx, NY 1991 Drawings, Elston
Fine Arts Gallery, New York, NY Cori: Struggle for Life, video work, Speaking Out: Art Against AIDS, Museum of Modern Art, NY 1990 Cori: Struggle for Life,
Video Against AIDS, Institute of Contemporary Art, London, The Indomitable Spirit, video work,
International Center for Photography, NY Beyond Boundaries: Paintings, Black
and White in Color Gallery, Bronx, NY Bibliography Interview with Nina Sobell by Evelin Stermitz, published by Marisa Olson, Rhizome.org, August 21, 2007 California Video: Artists and Histories, edited by Glenn
Phillips, Getty Research
Institute; 2008 Allure of the Raw: Ca Video by Hollis Willis, Modern Painter, March 2008 Video Art: Michael Rush, Thames and Hudson, 2006 Feedback: editors Horsfield
/Hildebrand, Temple University Press, 2006 Closed Circuit: by Slavko Kacunko, Logos Verlag, Berlin, Germany 2006 Digital Art: , by Christiane Paul, Thames and Hudson, London "Art/Women/California 1950-2000" editors Burgess/Salvioni,
University of California Press and the San Jose Museum of Art (2002), p. 326. "Streaming the Brain" by N. Sobell, MultiMedia, Artful Media
ed. Doree Duncan Seligmann IEEE Computer
Society, Vol. 9, No. 3 (July-September, 2002), p. 3—8. "Info Arts-Intersections of Art, Science, and Technology" by
S.Wilson, MIT Press (2002). "Sculpting in Time and Space: Interactive Work" by Nina Sobell and
Emily Hartzell, Leornardo, MIT Press,
Vol.34, No.3 (2001). "The Robot in the Garden" by Ken Goldberg, MIT Press (2000), p.
15. "Going Virtual" by Martha
Wilson, CAA Art Journal, Summer,
2000. "Artful Media," by Kathy Brew, IEEE Multimedia, 1999. "Women in Art and Technology" edited by Judy Malloy., MIT Press
1999 "A Brief History of Outrage: The 51 (or So) Greatest Avant-Garde
Moments," by C. Carr, Village Voice,
September 22, 1998. "On Edge: The Heart of the Web," by C. Carr, Village Voice,Vol. 42, No. 25 (June 24, 1997), p.50. "VirtuAlice," by Sobell and Hartzell, Ylem , Vol. 17, No. 9, (September/October, 1997), p. 5. "Telepresence Art," by Eduardo Kac, Art Journal, College Art Association, 1997. Naked to the Bone, by Betty Ann
Kevlis, Rutgers University Press, 1997. Postmodern Currents: Art and Artists in the Age of Electronic Media, by Margot Lovejoy, Prentice Hall, 1996 (second
edition). "ParkBench," interview with Doug Grunther, WDST Woodstock Radio,
October, 1996. "ParkBench Public Access Kiosks," Visual Proceedings, Siggraph '96. "ParkBench Sculpting Performances," The Acid-free Paper (web journal), edited by Kevin Smith, Vol. 1, No. 4
(January, 1996), Net Culture section. "Deviant Eyes, Deviant Bodies" by Chris Straayer, Columbia
University Press, 1996 "The Buzz" by Sobell and Hartzell, TalkBack! journal on the Web, edited by Robert Atkins. Issue
#1 (December, 1995). <http://math240.lehman.cuny.edu/talkback> "Art Online" by Robert Atkins, Art in America, Vol. 83, No. 12 (December, 1995), p. 64. "Technology: Do You Mind if I Sit Here?" by Kimberly Neuhaus, I.D.,Vol. 42, No. 2 (March-April, 1995), p. 24. "ParkBench," Artists' Pages by Emily Hartzell and Nina Sobell, Felix:
Landscape(s) Vol. 2, No.1 (1995), pp.
302-5. Interactions, Vol. IV, No. 2, June,
1992. Interactions, Vol. III, No. 1, April,
1991 Felix (review of EXHUMED & Video
1972-90), Vol. 1, No. 1 (Spring, 1991), p. 71-73. Lectures 2007 IMHO with Heather Wagner, Location
One, NY 2002 Artist Talk, SUNY Purchase, Department
of Art, Purchase, New York 2001 Artist Talk, Computer Art
Department, School of Visual Arts, New York 2000 Nina Sobell: Video
Performances, NYU School of Food Sciences 1999 Artist Talk, Sony Wonder HD
Theater and Technology Museum 1997 Human Factors and Ergonomics
Society, Stevens Institute of Technology Digital Landscapes of the Mind,
London Institute ISEA (International Society of Electronic Arts), Chicago Art Institute Art Talk Art: Art, Anarchy, and the Web,
Foundation for Art Resources, LA LA Museum of Contemporary Art, Geffen Contemporary LA, Art Talks '97 Cornell University, Creativity Symposium Art, Culture, and Technology,
Teacher's College, Columbia University, CHI '97 (Computer-Human Interaction), Atlanta Central St. Martin's School of Art, London 1996 ParkBench,
Artist's Presentation, Siggraph '96 1995 Art and Science Collaborations,
Inc., Cooper Union Great Hall, New York 1993 Department of Fine Arts,
Rutgers University, New Brunswick, NJ 1991 The
Slade, St. Martins, Newcastle, Brighton Poly, E. London Poly, Brunel
University, Reading, Collections Archivo Storico delle Arti Contemporane; La Bienalle di Venezia, Italia;
Museum of Modern Art, NY; Long Beach Museum of Art, Long Beach, CA; Whitney
Museum of American Art; Banff Centre for the Arts, Canada; deSaisset, Museum of
Art; Manchester Museum of Art, England; Reading University, England;
Contemporary Arts Museum, Houston, TexasArts; Zentrum fur Kunst Und Medien
Technologie, Karlsruhe, Montevideo, Amsterdam; Institute of Contemporary Art,
London; Western Front Video, Vancouver; DIA Foundation; Cologne; Kramlich Video
Collection, and other private collections and academic institutions. Education BFA Tyler School of Art, Temple University, Philadelphia, Pennsylvania MFA Cornell University, Ithaca, New York |